A standout amongst the most energizing cameras that appeared in 2012 was Canon’s Powershot G1 X. It offered a 1.5″ sensor (which is only 20% littler than APS-C), 28-112mm lens (but a reasonably abate one), completely articulating LCD, and optical viewfinder (an irregularity at the time). The outcome was one of the earliest semi-pocketable cameras to offer picture quality that equaled that of tradable lens cameras. The G1 X was a long way from immaculate: the lens’ greatest aperture scope of F2.8-5.8 wasn’t incredible, AF performance and least focus separation were disillusioning, consistent shooting rates were poor, and battery life was absolute lousy.
With the ‘Mark II’ variant of the Powershot G1 X, Canon has tended to a considerable lot of the inadequacies of its antecedent. As a start, the G1 X II has a quicker lens that blankets a more extensive central run and can shoot much closer to a subject. It likewise guarantees a quicker, more refined AF system, enhanced consistent shooting, double control dials around the lens, and Wi-Fi with NFC. The LCD has additionally been redesigned: it now tilts upward 180° and descending 45° – as opposed to flipping out to the side – and touch usefulness has been included, also. The camera is likewise altogether more diminutive than its progenitor, now looking more like an over-developed S-arrangement, instead of an out-sized G12. Something that got relinquished in this was the optical viewfinder, however fear not, you can purchase a tilting XGA EVF for RM 1000.
Canon Powershot G1 X Mark II defining features
tilting 3″, 1.04m dab touchscreen LCD
12.8 megapixel 1.5″-sort CMOS sensor
5.2 fps ceaseless shooting
wi-Fi with NFC with remote control by means of smartphone
1080/30p video recording
digic 6 processor
24-120mm proportional F2.0-3.9 lens with optical IS
dual (adaptable) control rings
maintains same point of-perspective at 4:3 and 3:2
optional XGA electronic viewfinder
The real issue remains the G1 X II’s 1.5″- sensor which is approximately 5.6 times bigger than the one found in Canon’s own particular Powershot G16. The result is still a reasonable bit more modest than the APS-C-sized sensors utilized within Canon’s Dslrs, however then the camera is a considerable amount littler, as well. It’s intriguing to think about the EOS-M, which is comparative in body size, to the G1 X II: the implicit lens and littler sensor permit the Powershot to stay much more diminutive than the “M” would be, were there an equal lens accessible.
While the aggregate pixel number of 15 million is the same as on the G1 X, the Mark II only uses around 13 million (versus 14.3).
The G1 X Mark II’s pixel measurements demonstrate that its cropping from a sensor that is bigger than the imaging territory, permitting it to offer the same edge of-perspective for both the 3:2 and 4:3 angle degrees – something that the first G1 X couldn’t do.
An alternate huge change on the G1 X Mark II is in the lens office. Gone is the similarly moderate 28-112 equiv. F2.8-5.8 lens on the G1 X – supplanted by an a great deal all the more engaging 24-120mm proportionate F2.0-3.9 lens. The utilization of a more diminutive sensor territory implies these numbers aren’t directly comparable, however the new lens is surely brighter. Where the base focus remove on the G1 X was an unhelpful 20cm (and 40cm in many modes), the new lens might be only 5cm far from its subject. Canon has likewise enhanced the autofocus system, and claims that the G1 X has ‘the quickest in Canon compact camera history.’
Returning to new features: the LCD has been redesigned and can flip up by 180 degrees and around 45 degrees. It’s additionally touch-empowered, which takes into consideration the majority of the controls that you’d anticipate from such a feature. On the other hand, this is a step regressively from the pivoted, completely verbalized screen on the first G1 X that made it considerably more adaptable.
While the optical viewfinder from the G1 X is gone (and to be completely forthright, it wasn’t great), Canon offers a XGA (1024 x768 pixel) EVF that connects to an exceptional connector on the hot shoe and can tilt upward 90 degrees. The terrible news is that the EVF costs RM 1000 plus.
One last feature of note shouldn’t be shocking in this day and age, and that is Wi-Fi. You can control the camera remotely and send photographs to long range informal communication destinations, distributed storage, or a machine. NFC (close field correspondence) is additionally supported, which permits you to match the camera with perfect smartphones by tapping them together.
The first Canon Powershot G1 X was a camera that sounded exceptionally guaranteeing for those in the aficionado compact business. Its expansive sensor offered picture quality that no other compact camera could contend with, and the valuable, superb lens, completely articulating LCD, and choice form quality made it exceptionally engaging. Shockingly, the camera was a long way from impeccable, for an assortment of reasons.
Enter the Powershot G1 X Mark II. It addresses the greater part of the issues we brought move down in 2012, and included features that make it a ton all the more engaging. The greatest story is the new 24-120mm proportional F2.0-3.9 lens which, when joined together with the 1.5″-sort sensor, considers exceptionally shallow profundity of-field. Include three dial control, multi-perspective capacity, and a flip-up LCD, and the G1 X Mark II sounds really convincing.
With a 16 million pixel sensor, Digic 4 processor, 8x optical zoom and 32x computerized zoom, the Canon IXUS 145 isn’t prone to win any grants for advancement however its still a strong, well performing camera. Focusing on quality over quantity, Canon has incorporated a restricted set of capacities for the novice client, with a couple of workmanship filters (Monochrome, Toy Camera and Vivid, for instance), and some essential physically movable choices, (for example, exposure compensation and white offset) to permit clients to trial.
There are a couple of scene modes included with the IXUS 145, including shoreline, snow and portrait, and a Digital Image Stabilization mode, which makes a composite picture and decreases smear, to help shooting in trickier conditions, for example, low light or moving items.
The IXUS 145 additionally profits from the capability to shoot HD video, and comes furnished with Eco mode to help lessen battery utilization.
While the capacities on the IXUS 145 are without a doubt decently fundamental, for a camera pointed soundly at the novice market it does well to guide individuals from tackling full Auto mode to settling on their own shooting decisions. It accompanies Live Mode (in which clients can modify the brilliance, immersion and difference, seeing those progressions live on screen) and the capability to change the white offset, exposure compensation and metering mode, ought to individuals wish to.
Contending with cameras like the Nikon Coolpix S3600 and the Panasonic Lumix DMC-Sz8, the IXUS 145 will cost you a bit less, yet its value taking notice that it additionally has less features to show for it.
Accessible in silver, red, purple and dark the IXUS 145 is liable to engage individuals searching for an essential camera, and the individuals who don’t need the bother of fiddling with settings to catch their shots.
Build quality and handling
Despite the fact that the IXUS 145 doesn’t have a handgrip, its still simple to hold as its decently lightweight and thin even with the battery embedded. As it has no projecting edges its equipped to slip into a tight pants pocket or layer pocket without any difficulty. The lodging on the 145 feels strong and tough, with no feeble plastic pieces or gets. The only significant issue I have with the design is the battery entryway fold, which is somewhat hard to open now and again, because of its absence of grasp.
Maybe obviously, provided for its value point Canon has selected not to incorporate a touchscreen with this model, yet the 2.7″ LCD screen is substantial and clear, and the menu system is not difficult to utilize. The slanted edge on the screen feels a bit dated, furthermore appeared to be a magnet for dust and trash that you wouldn’t get if the screen was flush to the edge of the camera.
Buttons on the IXUS 145 are a bit bigger than on a percentage of the past IXUS cameras (like the 255 HS for instance), with somewhat more space between them as well, which ought to be a welcome change for those with bigger hands. This additional space has taken a swing at a premium nonetheless, as the LCD screen has lost somewhat measure from 3″ to 2.7″ to suit the more extensive button area.
Using the standard IXUS menu system, the 145 is generally simple to get to grasps with, particularly in the event that you’ve utilized a Canon camera in the recent past, with the dominant part of commonly utilized controls now got to by means of the FUNC/SET button amidst the four way control pad. Whatever remains of the control pad now houses flash, ECO and show settings, and also the mode switch button which is, sort of confusingly, marked Auto.
Past devoted button settings like macro, exposure compensation and clock can now be found under the on-screen capacity menu, which makes them somewhat more drawn out to get to, as you need to experience several menus to get to them.
The Canon IXUS 145 is an impeccable camera for a novice client – with its not difficult to utilize menu system, well performing auto mode and alluring value point, you can’t go far not right. Likewise certain is the picture quality, and its size and weight makes it an extraordinary camera to bring with you, whatever the circumstances.
Prior to the announcement of the Canon EOS 6D and the Nikon D600, novice photographers who required a full-frame DSLR camera—brought together with a picture sensor the same size as a 35mm film frame—were stood up to with a little number of choices at RM 10k and up. Both associations cut about RM 3000 off the expense of entry to full-frame with new models that surrender a couple of features that ace shooters are used to, yet are packaged in more little bodies that are equivalent in design to the top-end APS-C cameras. The 20-megapixel Canon 6D moreover incorporates some fan welcoming features—surprisingly a facilitated GPS beneficiary and Wi-Fi capability which, close by unbelievable picture quality, pick up it for all intents and purpose faultless rating and our editors’ choice honor. The RM 20,000 full-frame Nikon D4 is still a prevalent choice for any person who relies on upon photography to put sustenance on the table, yet most individuals basically needn’t trouble with that much money for that camera in their sack. Click here to >> Buy Brand New Canon EOS 60D Body Only Online In Malaysia here!
Design and Features
While its more noteworthy than entry-level cameras with tinier APS-C picture sensors, the 6D is quite a conservative camera for a full-frame D-SLR. Contrast this and the Canon EOS 5D Mark III, a more standard full-frame camera that measures 4.6 by 6 by 3 inches and weighs around 2.1 pounds. If you at present shoot with an APS-C Canon camera like the EOS Rebel T4i or EOS 7D and are considering a climb to full-frame be careful that while you can mount any EF lens to any Canon D-SLR, Canon’s line of EF-S lenses are designed only for use with APS-C cameras and can’t be used with the Canon 6D, Canon 5D Mark III, or Canon EOS 1D X cameras. This is instead of Nikon’s philosophy, which allows its APS-C DX lens lineup to be used on the Nikon D600, the Nikon D800, and Nikon D4 in an extraordinary harvest mode. Like Canon’s other full-frame offerings there is no flash joined with the Canon 6D—you’ll need to use an external one. This isn’t atypical for a full-frame camera—Nikon does fuse a pop-up flash on the D600 and D800, yet bars it on the D4, and Sony Alpha DSLRs does not include a flash in its full-frame bodies.
The control arrangement is friendly to anyone who has dealt with a Canon SLR sooner or later as of late. There’s a standard mode dial on upper left concur with a facilitated On/Off lever. To the right of the viewfinder you’ll find a control wheel, the shade release, and buttons to change the AF Mode, Drive Mode, ISO, Metering Mode, and to establish the scenery light on the monochrome information LCD, in like manner spotted on the most elevated purpose of the camera. The back controls are compacted when differentiated and the 5d Mark III, yet regardless you’ll have induction to a back control wheel with a facilitated four-way controller, an Info button that controls what is indicated on the back LCD, the Menu button, a control switch to incite Live View and film recording, picture playback controls, and buttons to charm the autofocus framework, authorize Exposure Lock, and select the element autofocus point. There’s in like manner a physical lock switch that holds the back control from changing settings when turned—that wheel controls exposure compensation in most shooting modes.
Most importantly seen on the Canon EOS game plan of APS-C cameras, the Q button grants you to change settings through the back LCD. Hit it and you’ll have the ability to change lens opening, ISO, Exposure Compensation, Flash Compensation, JPG yield, White Balance, and other typical shooting settings—the back control pad is used to investigate from item to item and the control wheel compasses through the available settings.
The camera’s unreserved optical viewfinder trumps even the best APS-C models the extent that size and sparkle anyway it doesn’t offer a full 100 percent field of point of view. Rather Canon chose to fuse a 97 percent viewfinder—the camera will get a minor bit of extra information around the edges of the frame, and the to some degree more minute viewfinder makes it possible to change the focus screen—a feature that was barred from the higher-end Canon 5D Mark III. This is a support to Canon shooters who use the extraordinary manual focus Canon lens like the TS-E 90mm f/2.8, or any of the manual focus Carl Zeiss lenses available for Canon cameras like the Makro-Planar T* 2/100, as Canon’s EG-S focus screen is ideally suited for definite manual focus with faster lenses.
The resolution of the 3-inch back LCD tops one million spots. It’s to an incredible degree precisioncy, allowing you to confirm separating focuses when assessing shots or shooting in Live View mode. It’s settled the Sony Alpha 99 is the only full-frame D-SLR with an articulating show and isn’t precisely as generous as the 3.2-inch screen on Nikon’s D600, in any case it is more sharp.
The Canon 6D is the first DSLR with consolidated Wi-Fi system, and overall, its an incredible utilization. There are different methodologies to use the remote features, and some are more useful than others. Statute accommodates you the capacity to share photos directly with an exchange Canon Wi-Fi camera and to print directly to a Wi-Fi-engaged printer. So you’ll must be out shooting with an accessory who moreover has a Wi-Fi-arranged Canon camera to endeavor the former, and the latter expect that you’ll be printing your photos without trimming, adjusting, or other after era work. You in like manner have the decision of survey your photos on a DLNA contraption, in the same path as a Wi-Fi HDTV or set-top box.
The more supportive limits incorporate conferring your photos on the web, and taking control of the Canon EOS 6D through your smartphone. You can send photos and videos directly to Facebook, Twitter, or Youtube through the Canon
Image Gateway organization. To set this up you’ll need to present the EOS Utility application on your PC or Mac and make a record on the Canon Image Gateway organization. Starting there you can interface your individual to individual correspondence accounts. Connect the Canon EOS 6D to your machine sets it with your Canon account, and will provide for you an opportunity to send JPG pictures and videos directly to the organization of your choice. You must be connected with a Wi-Fi system, and the EOS 6D can store the SSID and login information for up to three systems without a moment’s delay.
Photos and videos can also be directly sent to your iOS or Android gadget. On the other hand the Canon EOS 6D can demonstration as a hotspot for direct association and you can save presets for either design in one of the five openings focused on this mode. Once joined, you can exchange pictures and videos directly to your phone by method for the EOS Remote application; its available free of charge in both the Apple and Android application stores. Crude move is maintained in light of the way that photos are assessed down to 2-megapixel JPG pictures to accelerate exchanges. You can similarly use your phone to control the camera remotely. A live encourage of the camera’s Live View mode shows up on your phone’s screen, and you can pick a focus point through touch, change shooting settings, and fire the shutter. There’s recognizable slack in the video encourage its not as quick as the USB tethered machine association that is possible through the included EOS Utility programming for Mac or Windows—yet its useable in the field, while conventional tethered shooting is more useful in a studio setting.
You also get integrated GPS. It’s a viable beneficiary it only took around 40 seconds to jolt on to the territory on the start of setup—and you can accommodate how much of the time it reviews for an alternate zone. Commonly it checks for your territory at consistent interims, notwithstanding you can go as speedy as once a second or as moderate as predictable as the rising sun. Using the GPS doubtlessly puts a strain on the camera’s battery. Also the GPS will continue checking for your zone real time when the camera is turned off. The photos we took were, without exceptional case, impeccably geotagged, appearing on Lightroom’s aide at the definite territories from which I shot them. In case you have to add region data to your photos, you’ll likely need to set the camera to check with the GPS satellites less habitually to develop the battery life, and debilitate the GPS before you turn the camera off. If that is an unacceptable deal, tote an extra battery. There is a nonobligatory battery handle open it join with the most minimal piece of the camera and holds two cells, duplicating the operation time.
Performance and Conclusions
The Canon EOS 6D isn’t as snappy as higher-end models like the Nikon D4 or Canon EOS 1D X, yet it isn’t direct by any routines. It starts and shoots in around 0.6-second and midpoints a 0.2-second shutter slack. Tenacious shooting is possible at around 4.2 frames for consistently, aside from the amount of shots you can get before that decreases progressions focused around record configuration and card speed. I could grab 8 Raw+jpg shots using a Sandisk 95mbps memory card, with 7.5 seconds required to totally clear the support after I stop shooting. Shooting only Raw records broadens the impact to 16 shots, furthermore extends the support clearing time to 10.5 seconds. In case you shoot Jpgs, there’s no push the camera can keep shooting the length of you’d like without any unmistakable stoppage. The D600 is essentially a bit snappier it starts and shoots in 0.4-second, records a 0.1-second shutter slack, and rattles off shots at 5.3 frames for consistently with relative demands on the amount of shots it can
We used the Iatest technology to measure the noise recorded by the Canon EOS 6D’s 20-megapixel picture sensor. It’s a by and large low megapixel mean a full-frame design—of current models, only the 16-megapixel Nikon D4 packs less pixels. This is generally beneficial with respect to performance at high ISO settings. I attempted the JPG output at default settings through the camera’s top amplified ISO setting of 102400 and found the results to be more than paramount. The camera can keep noise underneath 1.5 percent through ISO 12800, and does so while even now getting a rich measure of unobtrusive component. At ISO 25600, the top standard setting, noise extends to 2.1 percent, however despite extended graininess, fine purposes of investment are new. I wouldn’t dither to shoot at 25600 if necessary, despite the way that I’d propose trading to Raw for shots, paying little respect to the way that it isn’t your normal work process. That will allow you to apply noise diminish in Adobe Lightroom or a similar Raw converter, which accommodates you more control than the 6D’s in-camera count. Of the full-frame cameras that we’ve attempted, only the D4 enhances at the most important settings—it holds noise under 1.5 percent through ISO 20000.
Every one format provides for you an opportunity to pick between All-I and IPB layering, with the former achieving much greater files. The footage looks sharp, nonetheless it does rely on upon the same autofocus system as the Live View mode in the midst of recording. Refocusing is a broad process that prompts coincidental stammers as the camera secures exact focus. There isn’t a methodology to enable consistent autofocus, rather you have to hold down the AF-ON button to refocus when recording—you’ll likely hint at change, smoother occurs by focusing physically. The sound of the lens refocusing in autofocus mode is appropriately noisy, however there is a microphone input port. In the event that you’re captivated by a full-frame SLR that has all the more straightforward video focus, the Sony Alpha 99 is worth a look. In perspective of its design, which uses a changed mirror for full time stage catch focus, the camera quickly jolts onto and can track objects when recording video, precisely as it would when shooting stills. The disadvantage to this system is that it requires the use of an electronic viewfinder rather than the more conventional optical discoverer found in the 6D.
Despite the mic input port, there is a standard smaller than expected USB port, a scaled down HDMI port, and a port for a wired remote control. Some expert associations are lost there’s no PC Sync connection to join with studio strobes (despite the way that different untouchable comes about that slide into the hot shoes are open), and there’s no Compact flash memory card space. Rather there’s a single space for SD, SDHC, and SDXC memory cards.
While the Canon EOS 6D doesn’t have most of the ace features of its more extravagant kin, it addresses a solid worth for Canon shooters who need to endeavor the benefits of a greater picture sensor. In case you use EF lenses on your APS-C Canon camera, you’ll quickly benefit from a more far reaching field of perspective when they are joined with a full-frame body. (Various were at first designed for use with 35mm film cameras, paying little heed to the way that coatings and focus motors have been enhanced during the time to better join with advanced.) The greater sensor moreover prompts a more noteworthy viewfinder, and its decently low pixel thickness helps the 6D surpass desires at extraordinarily high ISO settings, while full-frame similarly allows you to make a shallower profundity of field at similar gaps.
In the event that you’re an advanced fledgling or photographic devotee, there aren’t a lot of issues to find with the 6D. It’s focus system could be a bit faster, making the 5d Mark III or Nikon D800 a predominant option for the people who shoot occasions. Notwithstanding the way that it would do enjoyably as a less-rich fortification camera for the 5d Mark III. The Canon EOS-1d X or the Nikon D4 are better choices for photojournalists and the people who spread of the to an extraordinary degree fast activity of sporting occasions, as both cameras pass on close minute focus and incredibly speedy impact shooting. The 6D’s video autofocus speed is not all that terrible for full-frame cameras—you’ll have to move over to Sony’s Alpha 99 to cure that, however will surrender an optical viewfinder. The 6D doesn’t shoot as brisk as the Nikon D600—its around one frame for consistently slower—yet the development of Wi-Fi and GPS and predominant picture quality at high ISO settings give Canon the edge. As a result of this, the EOS 6D acquires our Editors’ Choice honor for full-frame D-Slrs. It can’t match the performance of our past victor, the $6,000 Nikon D4, however unless you’re on the sidelines of a pro football diversion, or earning thousands of dollars for every wedding shoot, the 6D will probably be more camera than you require in a much littler and less-extravagant form.